BUREAU OF CHANGE | EDU
We are what we see.
New Orleans, public art, institutional critique, education, civil rights, social justice, human rights, higher education, social practice, research based art, digital media, BUREAU of CHANGE, Margot Herster, documentary, New Orleans, collaborative media, social media, art, activism, photography, interactive, social media, Margot Herster, Margot Hester, Margaret, Herster, Hester, education not guaranteed, Louisiana
3
archive,category,category-edu,category-3,wp-theme-_minimum,ajax_updown,page_not_loaded

EDU

Feb 15 | BUREAU’s newest writer, Hannah North, reflects on pain of others in her essay “Somebody to lean on”

Posted by BUREAU of CHANGE in COLORSOFLOVE, EDU, SECURITY

Somebody to lean on

by Hannah North

Sometimes, memories have a way of coming out through your sub-conscious. As I started writing this blog on distressing content we all seem to experience through social media, I began with the line “every human on this planet has experienced pain and sorrow.” A colleague pointed out to me that these words echo the opening lyrics to a song that was important to me in a time that seemed simple yet was so impactful to my childhood.

I grew up in a family of addicts, which could seem like a tragedy to those who know my story. However, it opened me up to a supportive community that I would have never had otherwise.

I spent the majority of my childhood in Alateen, a program for children affected by addiction. It felt like everyone in the program was always there when I needed advice, a friend or just someone to talk to. At the end of my favorite convention we would sing a farewell song. We grabbed hands, the music started, and we sang together,

Sometimes in our lives we all have pain
We all have sorrow
But if we are wise
We know that there’s always tomorrow
—Bill Withers, opening lyrics to “Lean On Me,” 1972

In those moments, I knew it was true. I would always have somebody to lean on.

Through addiction, war, death, rejection, oppression and many other hardships, we have a place to come together and to lean on one another. We have an opportunity to share, to listen, to ask and to answer. An opportunity to help heal one another. This place is social media. Social media, as I have described it here, may sound unfamiliar as it seems to me that it is rarely used for these purposes.

Through the internet, we have nearly everything and everyone at our fingertips. With just a few clicks, we have the potential to reach billions of people. Social media has changed our relationships with others, images of others’ pain and has made all sorts of interpersonal exchanges with family, friends and strangers around the world instantly possible. But, instead of using this tool for good, some of us use it to hurt, dismiss, and attack each other. Why? Is it easier to hurt instead of help? Does it make us feel better to make others feel worse?

An essay by BUREAU’s founder, Margot Herster, “Regarding the Pain of Others in the Age of Social Media” seeks to reverse the flow of vitriol so common in contemporary social media exchange. Authored in the wake of the police shooting of Alton Sterling and the retaliatory targeting of police in Baton Rouge, Herster’s piece, first jotted on Facebook as a personal reflection to her online friends, contemplates the spread of online hate and misinformation is not destiny.

Herster, a media artist and educator, suggests that we are all individually thus collectively empowered to reimagine our online relationships toward building community, challenging indifference and avoiding amplification of caustic commentary. Her message of consciousness and conscience is borderless. First conceived as a response to a Baton Rouge local then national story of grief and protest, it was published in the Dhaka Tribune for international distribution following a mass shooting in Dhaka, Bangladesh termed by the media as 7/16.

We can choose if we want to expose ourselves to a public forum or become a poster child or hashtag. We can respect others’ privacy and ways of grieving. We can learn more about what another feels is at least semi-acceptable to say or do. We can read the comments and be the one to add a thoughtful, factual, caring comment because someone who needs to hear it might read it. We may reach a friend of a victim, a judge, a police officer, a politician, a power broker. Or an isolated could-be copycat or would-be abuser. Or another might-be abused or lost life. —Margot Herster, “Regarding the Pain of Others in the Age of Social Media,” 2016

In 2003, in part spurred by her reaction to 9/11 and its aftermath, Susan Sontag published Regarding The Pain of Others, a book on how we use photographs to portray violence and react to images of war and torture. In Regarding the Pain of Others, Sontag discusses society’s absorption and rationalization of images of others’ suffering and how viewing this imagery can ultimately make the viewer complicit in that suffering. Digitalization of such imagery, she says, fosters a ‘globalization of suffering,’ in which society seems to increasingly distance itself from, glorify, or react with impotent empathy or paralyzation.

Compassion is an unstable emotion. It needs to be translated into action, or it withers. The question of what to do with the feelings that have been aroused, the knowledge that has been communicated. If one feels that there is nothing ‘we’ can do — but who is that ‘we’? — and nothing ‘they’ can do either — and who are ‘they’ — then one starts to get bored, cynical, apathetic.
—Susan Sontag, Regarding the Pain of Others, 2003

Although we may not know someone’s background or feel another person’s pain, we can accept and respect our differences. We can try to make other people feel heard and valued. Instead of impulsively responding with hateful comments or pictures, we can come together and help to heal each other of our pains. We can have compassion.

Who or what we choose to ignore because we don’t agree, don’t want to be seen liking or commenting on, or are unsure how to react to, can ignite and propel anxieties. We don’t know every person in our network or the experiences that color their views. We can start conversations with “what do you think, “what do you want, ‘why?’ We can invite people we assume are on the wrong side of history, or who support Trump or whoever we’re against. We can take the time to explain what we think we know and why. We can stop shaming, slamming, and unfriending people because we don’t agree with them.” —Margot Herster, “Regarding the Pain of Others in the Age of Social Media,” 2016

The next time you find yourself scrolling through the world of social media, remind yourself that the other people there are real. They have real lives, emotions, problems, and pains. A few keystrokes can carry weight. What you say or don’t say can impact someone else’s life.

Hannah North is a freshman at Delgado Community College and participant in BUREAU’s interdisciplinary apprenticeship program in partnership with New Orleans colleges. More information on how we work here.

15 Feb 2017 no comments / READ MORE

Nov 6 | BUREAU stormed Internet Yami-ichi in NY 2 with our cloud interface performance

Posted by BUREAU of CHANGE in EDU, Events, HUMANRESOURCES, LIVELIHOODS

BUREAU of CHANGE brought our Micro Internet Yami Ichi, in a black cloud-inspired interface, to the Internet Yami-ichi NY 2 on November 6, 2016 at the Knockdown Center in Queens, New York.

Our goal was to spread light to the people on the beautiful dangers of the internet. BUREAU analytics show that that we reached that goal. We broke the internet, ate the misfortunes, cut the money, blocked the popups and didn’t give a f–k.

“My fear was that I would get lost, and that no one would ever hear from me again.”—InfraRedd, cloud operator and network security, BUREAU of CHANGE

“The energy was busy, the people were colorful, and the projects were cutting edge.”—Steven, cloud interface maker, BUREAU of CHANGE

It wasn’t all beats and bruises though, as we also sold scented retweet hearts. And after all, the people really needed them; we sold out.

At the BUREAU of CHANGE cloud interface, there was a lighthearted yet comical feel about it all. It was like window shopping, and Yami-ichi shoppers were scared but those who engaged with our black cloud market discovered so much more than tangible products.

One thing we sold was a wish. Participants inserted a dollar into the cloud to get amazing things. Gloved hands reached out of the cloud then pixelated the USD with shredder scissors and returned it to it’s owner. Some people were concerned about the legality of destroying the dollar. We anticipated this, so we had attorney services on hand to ease consumer concerns. Compared to the sadistic commercialism we engage in everyday on the internet, destroying the dollar seemed innocuous.

Logan Blake created a T-shirt that gave you a message to give a f–k. We’ve all been there, working on something important and there it goes, press “OK” to continue. What if you don’t want to say okay? What if you just want to say f–k? We thought this was a lighthearted way to show our dismay towards the “OK” button.

More about Yami-ichi NY 2 at http://yami-ichi.biz/ny2/

08 Nov 2016 no comments / READ MORE

October 14 | NOLATech Weeks’ 4th Silicon Bayou Startup Showcase featuring BUREAU of CHANGE

Posted by BUREAU of CHANGE in EDU, Events, Exhibitions, HUMANRESOURCES

BUREAU of CHANGE was invited to show a selection of our work at NOLATech Weeks’ 4th Silicon Bayou Startup Showcase on October 14, 2016.

 

BUREAU of CHANGE showcased video and animation projects, as well as some of research and technology-based works from our flatfiles. We engaged in a lot of conversations about community problems and solutions related to our most recent video, Amazing Grace featuring President Barack Obama. Amazing Grace is a rap gospel that memorializes black lives lost to killings motivated by racism and addresses the role of social media in the Black Lives Matter movement.

 

We also exchanged ideas about economic stimulus disappointments and prospects of the tech industry in Louisiana related to our 2013 animated documentary, *EDUCATION NOT GUARANTEED. The video, created by Louisiana State University faculty, students and alums details student cost of financial and curricular fraud in higher education, in particular unfulfilled promises of the digital media program within the context of Governor Jindal’s economic and workforce development initiatives and the national education crisis.

 

Conceived as a science fair-style networking event, the showcase was a great way to share what the BUREAU of CHANGE has been working on and make connections with other New Orleans tech organizations. The other startups in the showcase were Concierge Solutions, Limited Times, Locally, PatentDive, Shiftgig, Vaunt 3D. We had the privilege of meeting a few of the other participating startups Vaunt 3D and PatentDive. Vaunt 3D is a 3D scanning and print house located in New Orleans. They provide high quality photo-real 3D renderings for architects, investors, and interior designers. PatentDive builds software to help builders protect their products. The company’s products help inventors and attorneys create better patent applications.

 

We would like to give a huge thank you to everyone who attended the event, as well as NOLATech Week and The Landing Zone for hosting the 4th Silicon Bayou Startup Showcase.

About NOLATech Week
NOLATech Week is a weeklong, citywide, unconference, bringing together art, food, music, urban development, environmental and education communities. All events are intended to educate, engage, facilitate collaboration, or grow awareness for all businesses, organizations, and members of our community.

 

About BUREAU of CHANGE
BUREAU of CHANGE is an education-centric lab for real art practice in New Orleans. We create, curate and exhibit socially and politically engaged work. Our process commissions artists and non-artists to collaborate on creative works aimed at inciting institutional change while studying social technology, digital media theory, interdisciplinary research and artistic production. We present our work at art institutions and community-accessible physical and digital spaces, as well as US|IS, our public art space at Gravier & Magazine Streets in downtown New Orleans

17 Oct 2016 no comments / READ MORE

BUREAU brings “Cheat Sheet” to 2015 Creative Time Summit NYC: The Curriculum

Posted by BUREAU of CHANGE in EDU, Events, Performances

 

BUREAU of CHANGE brought an participatory intervention to New York in coordination with the Creative Time Summit NYC: The Curriculum at the Boys and Girls High School campus in Bedford-Stuyvesant, Brooklyn on November 14 and 15, 2015.

 

Continuing the dialogue started at the Summit held at the Venice Biennale in August, the New York Summit was dedicated to education and other ways knowledge is disseminated and obtained. The Curriculum NYC focused on the effects of specific education policies in the United States. Creative Time programming explored the relationship between knowledge and geopolitics, pedagogical art practices, omissions in contemporary curricula, and political issues such as the re-segregation of public schools and student debt.

 

Throughout the weekend, covert BUREAU of CHANGE agents handed out Cheat Sheet in hallways, under desktops and via trades for their notes to lucky Summit attendees at Boys and Girls High School who could also count on us for freshly sharpened pencils. In designing Cheat Sheet, BUREAU crowdsourced personal stories of education blunders and disasters documented on YouTube, which we presented alongside quotes from academic research and journalism indicative of systemic dysfunction in global education and need for radical reform. In return, we received copies of notes on the The Curriculum complete with personal commentary, doodles and diagrams jotted by attendees.

 

Each year, the Creative Time Summit explores the many ways in which artists are tackling the world’s most challenging social and political issues. Innovative artists, activists, writers, and curators take the Summit stage to present bold new strategies for social change to a global audience. Since its inception six years ago, the Summit has seen hundreds of luminaries–from famed philosopher Slavoj Žižek, to legendary art critic Lucy Lippard, artist Rick Lowe, and Academy Award nominated filmmaker Laura Poitras, to name only a few–present their unflinching visions to thousands live in the theatre and online.

 

19 Nov 2015 no comments / READ MORE

BUREAU of CHANGE presents FIELD TELEPHONE: The Opening Act in Southern Rep’s BOUDIN

Posted by BUREAU of CHANGE in EDU, HUMANRESOURCES, MAINSTREET

BUREAU of CHANGE presented an original interactive installation in conjuncton with Southern Rep’s BOUDIN: The New Orleans Music Project, which ran from April 18–May 17 at the Ashé Power House Theater. For the commission, BUREAU founder and teaching artist Margot Herster directed FIELD TELEPHONE: THE OPENING ACT with talented young artists: Steven Pedeaux, digital cultures writer, researcher, producer, BFA LSU Digital Art; Kareem Henry, pastor, songwriter, computer science student at ITT; and K.G., rap musician, drafting and design student at ITT

 

 

18 Apr 2015 no comments / READ MORE

*EDUCATION NOT GUARANTEED PREMIERE IN BATON ROUGE

Posted by BUREAU of CHANGE in EDU

BUREAU of CHANGE hosted a launch party and screening of our short documentary *EDUCATION NOT GUARANTEED on Friday, April 19 from 7PM to 10PM at 421 N Third St. in downtown Baton Rouge.

Sparked by illegal student fee practices and misappropriation of digital media education funds at Louisiana State University, *EDUCATION NOT GUARANTEED reveals new information on how financial improprieties reflect a broader “academic environment where administrators and faculty feel free to indulge their fears and egos over their responsibility to students.” The documentary, which was created by LSU School of Art alumni and faculty, follows the journey of a student whose trust in the university dissipates as he witnesses how his education is sacrificed due to others’ corruption and deceit.

As a gesture of Restitution to Students whose fee money was misappropriated for faculty iPads and other perks, BUREAU of CHANGE awarded surplus projectors, scanners and other equipment from the state of Louisiana to LSU students and alumni who attend the premiere.

Free BUREAU of CHANGE t-shirts were available throughout the evening for all attendees.


“The group of filmmakers said students are vulnerable to unethical decisions by university administrators and need someone to stand up for them.
‘Now that we’re in a position that we can, and that we know and have this knowledge now, we want to share it and hopefully make something happen and make change happen,’ said Jared Hornsby, one of the filmmakers and an LSU alumnus.”

                                                                                                                  Read more by David Lippman of NBC 33 News:   Former LSU students, professors debut movie critical of university leaders

Margot Herster and Jared Hornsby of BUREAU of CHANGE talk to reporter David Lippman of NBC33 at the premiere of *EDUCATION NOT GUARANTEED in Baton Rouge, LA.

Margot Herster and Jared Hornsby of BUREAU of CHANGE talk to reporter David Lippman of NBC33 at the premiere of *EDUCATION NOT GUARANTEED in Baton Rouge, LA.

22 Apr 2013 no comments / READ MORE

BUREAU founder curates Social(dis)Order at LSU Glassell Gallery in Downtown Baton Rouge

Posted by BUREAU of CHANGE in EDU, Exhibitions, SECURITY

BUREAU of CHANGE is pleased to announce Social(dis)Order at the Glassell Gallery at the Shaw Center of the Arts, Louisiana State University. The exhibition is on view August 30-October 7 with a public reception on Friday, September 21, 6-8pm.

Social(dis)order brings together creative works that explore the power technology enabled social networks have over traditional social constructs. Curated by BUREAU founder and LSU Digital Art and AVATAR faculty Margot Herster with Derick Ostrenko and assistant curator Lydia Dorsey, Social(dis)Order opens the LSU School of Art’s 2012-2013 programming, Tipping the Edge.

The current state of digital media provides rapidly diversifying public platforms where social expression is used as a device for authority and influence. Social(dis)Order presents artists and artworks that engage the balances and imbalances, freedoms and controls, and comforts and discomforts that accompany social change.

social disorder projectionSocial(dis)Order transforms the gallery into a media-rich exploratory social space and invites visitors to participate. The exhibition features seven interactive and participatory works by international artists whose creative practice explores the underlying motivations of the ubiquitous networks that keep people connected. Natalie Bookchin‘s video projection, My Meds from the series Testament, assembles a chorus of medicated video bloggers and contemplates the intimacy and anonymity of mass communication enabled by websites like Youtube. Take This Lollipop by Jason Zada flirts with the danger of online exploitation in this facebook app-generated horror movie.

Two works in the exhibition activate discussion about the political implications of video games and their power for social impact. Games by the Italian team Molleindustria test visitors’ abilities against corrupt politicians, conspiracies, and drone pilots and, according to the artists, are free from the “dictatorship of entertainment.” Another serious game with practical intentions, Virtual Peace, enables visitors to try their hands at a video game created by a collaboration of Duke-UNC Rotary Center for International Studies in Peace and Conflict Resolution and the learning environment company Virtual Heroes for the purpose of humanitarian aid training.

Created in 1999 and the earliest work in the exhibition, Joseph DeLappe’s Self-Portrait/A Dialogue is built from two computer mice that spew knock-knock humor when engaged by visitors and offers comic relief to the darker undertones of many of the other works. Another interactive sculpture by Jonah Brucker-Cohen is more foreboding. Brucker-Cohen’s Alerting Infrastructure! is a drill that will translate hits to the Glassell Gallery website into physical damage by burrowing into one of the gallery’s cement walls, amplifying the concern that physical spaces are losing ground to their virtual counterparts.

Alongside the computer-based works, London artists Ant Hampton and Britt Hatzius present a participatory installation that sets up an analog relationship between recorded media and live human bodies. In this This is Not My Voice Speaking the artists provide devices and instructions for visitors to enact a playful multimedia performance using analog materials including 16mm film, a record player and a slide projector.

CURATORIAL STATEMENT

Social(dis)Order Main Text

23 Sep 2012 no comments / READ MORE