Curator Bill Arning talks to critic John D’Addario about BUREAU’s “Amazing Grace” and his other top picks in Louisiana Contemporary
Image credit: Installation view, BUREAU of CHANGE, Amazing Grace (ft. Barack Obama), in Louisiana Contemporary at the Ogden Museum of Southern Art, 2016 (left); Old Glory Holes and Pussy Riot by Dan Tague (right)
John D’Addario talks to curator Bill Arning, Director of the Contemporary Arts Museum Houston about top picks, including BUREAU’s Amazing Grace, for Louisiana Contemporary, which A’ddario defines as “the Southern-inflected version of New York City’s Whitney Biennial: an opportunity to examine the currents of the regional art scene through the lens of a particular curatorial eye.”
Arning says what he calls the “unlikely relevance of abstraction” and “obsessiveness and the power of accumulation” are two more common themes which links several of the works on display.
With dozens of works by nearly 50 artists, there’s a lot to take in. But Arning has some advice for visitors wanting to make the most of their visit to the show.
“Take the time to watch the two longish videos,” said Arning. “Both Xavier Juarez and Adrione Domino are gifted filmmakers and use their performers for great emotional effect.”
“BUREAU of CHANGE’s short video comments on the hope and frustrations of the Obama years, in which the president’s inspiring voice is countered by the horror of so many young black men either killed or incarcerated. On a more positive note, Paul Rizzo, Max Sizeler, Peter Horjus, Brian Barbieri, Chris Berntsen and Arthur Severio depict the joy of queer lives today and exploring so many new possibilities.”
Download Article: CONTEMPORARY VISION: Social issues at the forefront of annual Ogden show by John D’Addario, The Advocate, August 24, 2016


