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The Opening Act: A Fight Is Never Over

Posted by BUREAU of CHANGE in

FIELD TELEPHONE: The Opening Act is a site-specific, interactive performance created for Ashé Power House and commissioned by Southern Rep Theater in conjunction with BOUDIN: The New Orleans Music Project, April 18–May 17, 2015. Centering around a projected music video performance, The Opening Act is an immersive, participatory experience that invites audience collaboration.

A Fight is Never Over.  A new blues-rap written and performed by K.G. and Kareem Henry for BUREAU of CHANGE, A Fight is Never Over evoke the importance of New Orleans music to civil rights history and the power of song to unite people as fights for livelihood, security, freedom and peace continue today.

telephone-photo

 

Field Telephone: Annexations

An anachronistic archive of New Orleans street activity. A 1960s telephone booth by Bell System left on a 9th Ward street corner tagged with graffiti, stickers and other material culture by passers-by from March 2014 to March 2015.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New Orleans Bandstand

An impromptu participatory bandstand. Audience take the stage and watch their sounds generate a video performance algorithmically designed by lissajous curves that respond to sound frequencies.

 

instruments-drawing-group

 

19 Sep 2015 no comments / READ MORE

{theaterofwar}

Posted by BUREAU of CHANGE in

IN THE TOWN HALL

{theaterofwar} Syria TV Remixes Senator McCain Town Hall, 2013

How aligned with the Assad regime’s message must the news be to pass censors in Syria? And how aligned with Youtube censors must a major Syrian news company be to avoid having its account deleted?

At Senator John McCain’s September 5, 2013 town hall meeting, a Syrian-American woman spoke passionately against the U.S. using force in the Middle East. Shortly thereafter, the Syrian TV station Alikhbaria (الاخبارية السورية) broadcast footage of the woman’s plea to McCain on its YouTube Channel.

The Alikhbaria news package presents the woman’s appeal to McCain as if it were a single unedited clip of her speech. However, comparing the Syria TV version to the original clip reveals manipulation. The first 15 seconds of her speech and 25 additional seconds of her voice within the clip are missing, masked by what the movie industry calls invisible editing technique.

What was left on Syria TV’s cutting room floor? What was added?

remix 1. Cut her statement that “no one is denying that there’s a lot of atrocities being committed in Syria” on both sides of the conflict.

remix 2. Cut her plea that the U.S. must stop Iran’s support to Assad’s army and Saudi Arabia’s support to the opposing forces.

remix 3. Add dramatic music.

remix 4. Cut her statement that she “is not a fan” of Bashar Al-Assad. This results in an awkward misquote, “We don’t want Al Qaida to take over [cut] but at least he has a secular government going on over there.”

The Alikhbaria news package was available on Alikhbaria’s YouTube page yesterday. However, it is no longer there. Nor are thousands of other Alikhbaria videos. On September 14, 2013, YouTube shut down the entire Alikhbaria account for “repeated or severe violations of Community Guidelines and/or claims of copyright infringement.”

ON THE STREET

{theaterofwar} Field Telephone

You’ve seen it, you’ve told someone else about it, you may have knocked on the BUREAU of CHANGE Public Information Office doors to learn more, spread a story, or become an arbiter of the official word. Or you cried quietly inside once you realized what the people who made their own death videos were trying to tell you.

Syrian-Chemical-Weapons-Use-Videos-_-Intelligence-Committee

 

{theaterofwar}, New Orleans, September 15, 2013 – February 15, 2014

 

18 Sep 2013 no comments / READ MORE