BUREAU OF CHANGE | Here/Home
We are what we see.
New Orleans, public art, institutional critique, education, civil rights, social justice, human rights, higher education, social practice, research based art, digital media, BUREAU of CHANGE, Margot Herster, documentary, New Orleans, collaborative media, social media, art, activism, photography, interactive, social media, Margot Herster, Margot Hester, Margaret, Herster, Hester, education not guaranteed, Louisiana
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COUNCIL OF EVERYDAY PEOPLE: HERE/HOME

Piñata that belongs to Casa Borrega, a Mexican heritage community center in New Orleans

Piñata that belongs to Casa Borrega, a Mexico City heritage center in New Orleans

BUREAU of CHANGE invited New Orleans community centers defined by heritage, from the smallest to the largest, to participate in an exchange.

New Orleans’ intense civic identity developed through Creole melding, conflict, values of cultural preservation and celebration—and the tourism industry. Its most visible iconography and aesthetics reflect the predominance of French, Spanish, African and Caribbean communities who built and re-shaped the city prior to its sale to the United States, as well as dynamics that developed from incorporation into the nation.

New Orleanians from all over the world engage with heritage groups for remembrance of origins and acknowledgement of common experiences of where they come from and of where they call home. BUREAU of CHANGE thought that bringing together often overlooked people would expose civic complexities and disrupt preconceptions of the sense of place that makes New Orleans so distinctive.

In collaboration with 25 heritage groups, BUREAU borrowed objects of significance to their community centers to share in an installation at Contemporary Arts Center New Orleans.  As a museum installation, HERE/HOME transported objects of material culture from their original context—in semi-private spaces throughout the city—to form a collective public display. A companion take-home booklet relays the story of each object as explained to us by the people it belongs to.

Outside the museum space, BUREAU engaged our network of heritage centers in a distributed exhibition that traversed the greater New Orleans area. In exchange for sharing their personalized symbols of heritage, we loaned works by BUREAU artists that express, in some way, a notion of New Orleans as home. The artworks temporarily stood in place of the objects we borrowed. While some heritage centers invited public viewings, these artworks were largely experienced by the people who regularly frequent each site.

Installation view, HERE/HOME at Contemporary Arts Center New Orleans in Tank Drama: Deliberations from the Wet Grave curated by Jan Gilbert, 2013.

HERE/HOME, Contemporary Arts Center, New Orleans

Booklet excerpts, HERE/HOME, 2013

  • Rosemary encased in a sack of oyster shells, Croatian American Society, New Orleans

    Rosemary encased in a sack of oyster shells, Croatian American Society, New Orleans

  • A Great Day in New Orleans, Ashé Cultural Arts Center, New Orleans

    A Great Day in New Orleans, Ashé Cultural Arts Center, New Orleans

  • Protest sign and newspaper, Louisiana Chapter of the Cuban American National Foundation, New Orleans

    Protest sign and newspaper, Louisiana Chapter of the Cuban American National Foundation, New Orleans

  • Koran Box, Prayer Beads, Psyanky Easter Eggs, Syrian Lebanese American Club, New Orleans

    Koran Box, Prayer Beads, Psyanky Easter Eggs, Syrian Lebanese American Club, New Orleans

  • Lamb piñata, Casa Borrega, New Orleans

    Lamb piñata, Casa Borrega, New Orleans

  • Family histories, Vietnamese American Young Leaders Association, New Orleans

    Family histories, Vietnamese American Young Leaders Association, New Orleans